ON THE ISSUE OF BYRONIC MOTIVES AND TRADITIONS OF WORKS BY G.G.BYRON IN POEMS BY I.I.KOZLOV 

Zhatkin Dmitriy Nikolaevich, Doctor of philological sciences, professor, head of sub-department of translation and methods of translation, Penza State Technological Academy, (Penza, 1a Baydukova passage),   ivb40@yandex.ru
Bobyleva Svetlana Vyacheslavovna, Candidate of philological sciences, associate professor, sub-department of translation and methods of translation, Penza State Technological Academy
(Penza, 1a Baydukova passage), darlis@list.ru

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Taking into consideration tendencies of «Russian Byronism’s» development the article discovers Byronic motives and traditions of G. G. Byron in poems by I. I. Kozlov (1779–1840), written in the 1820-s. It gives detailed analysis of the parallel between G. G. Byron’s «Giaour» and I. I. Kozlov’s «The Monk», and to prove Byron’s influence it involves the materials of Russian literary critics of the 1820–1830-s (P. A. Vyazemskiy, A. D. Ulybyshev, V. G. Belinskiy, etc.), comments of contemporaries (A. S. Pushkin, E. A. Baratynskiy, etc.). The article considers separately the influence of Byron’s «Giaour» on the plot of I. I. Kozlov’s poem «The Mad Woman», which caused ambiguous reaction in contemporary literary circles.

I. I. Kozlov, poetry, reminiscence, tradition, literary critics, Byronism, Russian-English literary ties, intercultural communication, artistic detail.

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